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The World as Exhibition

Published online by Cambridge University Press:  03 June 2009

Timothy Mitchell
Affiliation:
New York University

Extract

The Egyptian delegation to the Eighth International Congress of Orientalists, held in Stockholm during the summer of 1889, traveled to Sweden via Paris and paused there to visit the World Exhibition. The four Egyptians spent several days in the French capital, climbing twice the height (they were told) of the Great Pyramid in Alexandre Eiffel's new tower, and exploring the city and exhibition laid out beneath. Only one thing disturbed them. The Egyptian exhibit had been built by the French to represent a street of medieval Cairo, made of houses with overhanging upper stories and a mosque like that of Qaitbay. “It was intended,” one of the Egyptians wrote, “to resemble the old aspect of Cairo.” So carefully was this done, he noted, that “even the naivt nn the bildings was made dirty.”

Type
The World On Exhibition
Copyright
Copyright © Society for the Comparative Study of Society and History 1989

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References

Parts of this essay are drawn from chapter of a book entitled Colonising Egypt (Cambridge: Cambridge University Press, 1988). I am indebted to Stefania Pandolfo and Lila Abu-Lughod for their comments.

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27 See Mitchell, Colonising Egypt. I have examined in detail, in the case of Egypt, how the modern means of colonizing a country—new military methods, the reordering of agricultural production, systems of organized schooling, the rebuilding of cities, the transformation of writing, new forms of communication, and so on—all rested upon the techniques of order and truth that I am calling the world-as-exhibition. My purpose here is to look more closely at what it means for the world to be an exhibition, by considering what happened to the individual nineteenth-century European who traveled to the Middle East.

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