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Gestures in vocal performance and the experience of the listener: a case study of extra-semantic meaning-making in the singing of Olavi Virta

Published online by Cambridge University Press:  01 January 2009

MARKO AHO
Affiliation:
Folk Music Institute, Kaustinen, Finland E-mail: marko.aho@kaustinen.fi

Abstract

At the level of micro-intonation, singing provides an object for intimate corporeal identification for the listener. In fact, the listener can, by way of vocal identification, achieve a direct corporeal relationship with the vocal performance. Similarly, the researcher can use his/her own purposeful identification and imitation as a means of observation. ‘Once in a century’ is a description often attached to the legendary singer Olavi Virta (1915–1972), who had a significant impact on Finnish popular music during the 1950s and is considered a cultural icon by many Finns. In this article, the vocal performance on the novelty recording ‘Luonasi jos oisin (‘If I were there with you’)/Isn’t it Romantic?’ is studied in order to map out its gestural content. Olavi Virta was in possession of a rich arsenal of vocal gestures. The gestures shared a relationship with the semantic content of the lyrics – not always mimetic but often contrapuntal, polarising, or estranging.

Type
Articles
Copyright
Copyright © Cambridge University Press 2009

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