It has always been thought that there are two dimensions in museum experience: the experience of space which can be distinguished from that of exhibits, as the former is largely non-discursive while the latter is more in the discursive domain. This paper aims to contribute to the description and understanding of the intricate pattern of interdependencies between the two parameters of the microstructure of the gallery space, the design of space and of the display layout. The paper uses rigorous methods of ‘spatial data’ collection and analysis (analytic representations of spatial relationships, and systematic representations of the movement pattern) and on this objective foundation builds an interpretative and critical argument.