Hostname: page-component-8448b6f56d-mp689 Total loading time: 0 Render date: 2024-04-19T21:53:16.656Z Has data issue: false hasContentIssue false

Bombay Films: The Cinema as Metaphor for Indian Society and Politics

Published online by Cambridge University Press:  28 November 2008

Akbar S. Ahmed
Affiliation:
University of Cambridge

Extract

It is difficult to distinguish between art and life in South Asian society; they no longer imitate each other but appear to have merged. Political philosophies, social values, group behaviour, speech and dress in society are reflected in the cinema and, like a true mirror, reflect back in society. Furthermore, film stars cross over from their fantasy world into politics to emerge as powerful figures guiding the destiny of millions. It is thus possible to view the cinema as a legitimate metaphor for society; this perception helps us to understand society better.

Type
Articles
Copyright
Copyright © Cambridge University Press 1992

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Ahmed, A. S., 1988, Discovering Islam: Making Sense of Muslim History and Society, Routledge and Kegan Paul, London.Google Scholar
Ahmed, A. S., 1990a, ‘South Asia: Roots of Decline’, in Economic and Political Weekly, 13 01.Google Scholar
Ahmed, A. S., 1990b, ‘The Perfect Englishman’, in The Guardian, 28 04.Google Scholar
Longer version as ‘In Britain, Macaulay's Chickens Come Home to Roost’, in Times of India, 21 May.Google Scholar
Ahmed, A. S. 1990c ‘The Muslims of India: Problems of Leadership and Identity’Paper for Oxford University Conference,30 May–1 JuneGoogle Scholar
Ahmed, A. S., 1990d, ‘The Muslims of South Asia: Process and Dilemma’, in Economic and Political Weekly (forthcoming).Google Scholar
Ahmed, A. S., 1990e, Stress and Structure in Pakistan Society, book under preparation, Cambridge University Press.Google Scholar
Akbar, M. J., 1985, India: The Siege Within, Penguin, Harmondsworth.Google Scholar
Akbar, M. J., 1988, Riot after Riot, Penguin, India.Google Scholar
Armes, , Roy, , 1987, Third World Film Making and the West, University of California Press.Google Scholar
Bharati, A., 1965, The Tantric Tradition, London.Google Scholar
Bonner, A., 1990, Averting the Apocalypse: Social Movements in India Today, Duke University Press.Google Scholar
Brass, P., 1974, Language, Religion and Politics in North India, Cambridge University Press.Google Scholar
Brass, P., 1989, in Robinson, 1989.CrossRefGoogle Scholar
Burra, R. (ed.), 1981, Film India: Looking Back 1896–1960, The Directorate of Film Festivals, New Delhi.Google Scholar
Butt, A., 1987, ‘The rise of Punjabi Cinema’, in The Nation, Midweek Magazine, 1507.Google Scholar
Chand, K., 1972, Indian Sexology, New Delhi.Google Scholar
Cunha, Uma da (ed.), 1981, Film India: The New Generation 1960–1980, New Delhi.Google Scholar
Desai, D., 1976, Erotic Sculpture of India, New Delhi.Google Scholar
Dhondy, Farrukh, 1985, ‘Keeping Faith: Indian Film and its World’, in Daedalus: Journal of the American Academy of Arts and Sciences, Fall.Google Scholar
Dissanayake, W. and Sahai, M., 1988, Raj Kapoor's Films: Harmony of Discourses, Vikas Publishing House Pvt Ltd.Google Scholar
Gupta, C. D., 1981, Talking About Films, Orient Longman, New Delhi.Google Scholar
Hardgrave, R. L. Jr., 1970, ‘Film and. Society in Tamil Nadu’, in Monthly Public Opinion Surveys of the Indian Institute of Public Opinion, Vol. XV, Nos 6, 703, 04.Google Scholar
Hardgrave, R. L. Jr., 1971, ‘The Celluloid God: M.G.R. and the Tamil Film’, in South Asian Review, IV, 07.Google Scholar
Hardgrave, R. L. Jr., 1973, ‘Politics and the Film in Tamil Nadu: The Stars and the D.M.K.’, in Asian Survey, 03.CrossRefGoogle Scholar
Hardgrave, R. L. Jr., 1979, Essays in the Political Sociology of South India, Usha Publications.Google Scholar
Hardgrave, R. L. Jr., 1984, India Under Pressure: Prospects for Political Stability, Westview Press, Boulder and London.Google Scholar
Hasan, Mushirul1990‘Adjustment and Accommodation: Indian Muslims after Partition’Paper presented at the Delhi Conference on ‘India: The First Decade 1947–1957’, January.Google Scholar
Husain, S., 1989, ‘Cinema’, in Robinson, 1989.CrossRefGoogle Scholar
India Int. Centre, 1983, India International Centre Quarterly, Vol. 10, No. 2, 06.Google Scholar
India Int. Centre, 1986, India International Centre Quarterly, Vol. 13, No. 1, 03.Google Scholar
Kumar De, Sushil, 1959, Ancient Indian Erotics and Erotic Literature, Calcutta.Google Scholar
Madan, T. N., 1987, Non-Renunciation: Themes and Interpretations of Hindu Culture, OUP, New Delhi.Google Scholar
Meyer, J. J., 1930, Sexual Life in Ancient India, London.Google Scholar
Mukerjee, Hiren, 1964, The Gentle Colossus: A Study of Jawaharlal Nehru, OUP, Delhi.Google Scholar
Murthy, N. V. K., 1988, ‘Understanding Indian Cinema’, in New Quest, No. 71, 0910, India.Google Scholar
Nandy, A., 1983, The Intimate Enemy: Loss and Recovery of Self Under Colonialism, OUP, New Delhi.Google Scholar
Nandy, A., 1986, ‘The Supermarket of Dreams’, in The Illustrated Weekly of India, 16 03.Google Scholar
Nandy, A., n.d., ‘An Intelligent Critic's Guide to Indian Cinema’, in Derive (forthcoming in Hindi in Patkatha).Google Scholar
O'Flaherty, W. D., 1985, Tales of Sex and Violence: Folklore, Sacrifice and Danger in the Jaiminya Brahmana, University of Chicago Press.Google Scholar
O'Flaherty, W. D., 1986, Introduction to Hindu Myths, Penguin Classics, Penguin Books.Google Scholar
Pacific Affairs, 1987, ‘Politics in the Punjab’, Vol. 60, No. 1, Spring.Google Scholar
Parthasarathy, R., 1981, Ten Twentieth Century Indian Poets, OUP, New Delhi.Google Scholar
Ramachandran, T. M. (ed.), 1985, 70 Years of Indian Cinema: 1913–1983, A Cinema India-International Publication, Bombay.Google Scholar
Rangoonwalla, F., 1979, A Pictorial History of Indian Cinema, Hamlyn, England.Google Scholar
Ray, S., 1976, Our Films, Their Films, Orient Longman, Calcutta.Google Scholar
Reuben, B., 1988, Raj Kapoor: The Fabulous Showman, Virgo Books, NFDC Ltd, Nehru Centre, Bombay.Google Scholar
Robinson, Francis (ed.), 1989, The Cambridge Encyclopaedia of India, Pakistan, Bangladesh, Sri Lanka, Cambridge University Press.Google Scholar
Rudolph, L. I. and Rudolph, S. H., 1987, In Pursuit of Lakshmi: The Political Economy of the Indian State, The University of Chicago Press.Google Scholar
Rushdie, S., 1988, The Satanic Verses, Viking, Penguin, London.Google Scholar
Valicha, Kishore, 1988, The Moving Image, Orient Longman.Google Scholar
Vasudev, A. and Lenglet, P. (eds), 1983, Indian Cinema Superbazaar, Vikas, New Delhi.Google Scholar