Organised Sound



Sound morphology and the articulation of structure in electroacoustic music


JOHN YOUNG a1
a1 Music, Technology and Innovation, De Montfort University, Leicester LE1 9BH, UK E-mail: jyoung@dmu.ac.uk

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A catalyst for the thinking in this paper is the way in which the concentrated direct audition of materials central to the process of electroacoustic composition can, in conjunction with powerful tools for the deconstruction and synthesis of sounds, influence the nature of musical relationships that are formed.