Cambridge Opera Journal

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Regular Articles

Schumann's Manfred in the mental theatre


LAURA  TUNBRIDGE 

Byron was determined from the start that Manfred should not be performed on stage. Writing from Venice in spring 1817 he told his publisher, John Murray, that: The thing I have sent you will see at a glimpse - could never be attempted or thought of for the stage . . . I composed it actually with a horror of the stage - with a view to render even the thought of it impracticable, knowing the zeal of my friends, that I should try that for which I have an invincible repugnance - viz. - a representation.