Hostname: page-component-7c8c6479df-ws8qp Total loading time: 0 Render date: 2024-03-28T15:45:59.989Z Has data issue: false hasContentIssue false

Jewface. Reboot Stereophonic RSR 006, 2006.

Published online by Cambridge University Press:  25 January 2008

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Recording Reviews
Copyright
Copyright © The Society for American Music 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Producer Josh Kun, quoted in Alex Williams, “Love ‘Springtime for Hitler’? Then Here's the CD for You,” New York Times, 29 October 2006.

2 Robert Christgau, Consumer Guide, http://www.robertchristgau.com/cg.php.

3 Irving Berlin: Early Songs, 1907–1914, ed. Charles Hamm, Music of the United States of America 2, Recent Researches in American Music 20 (Madison: A-R Editions, 1994).

4 Always one to pick up on a trend, Irving Berlin adopts Abie Cohen as the protagonist in such songs as “The Yiddisha Professor” (1912) and “In My Harem” (1913).

5 Indiana University Lilly Library's DeVincent Collection, http://www.letrs.indiana.edu/cgi/b/bib/bib-idx?c=devincent.

6 For more on the Jewish-Indian encounter on the American musical stage, see Andrea Most, Making Americans: Jews and the Broadway Musical(Cambridge: Harvard University Press, 2004).

7 Jody Rosen, podcast interview by Sara Ivry, Minstrel Show, 13 November 2006, http://www.nextbook.org/cultural/feature.html?id=455.