Hostname: page-component-8448b6f56d-cfpbc Total loading time: 0 Render date: 2024-04-18T19:49:39.056Z Has data issue: false hasContentIssue false

Ontologies, categories, folksonomies: an organised language of sound

Published online by Cambridge University Press:  04 July 2007

Kenneth Fields
Affiliation:
CEMC – China Electronic Music Center, Central Conservatory of Music, Beijing 100031, China email: ken@ccom.edu.cn

Abstract

The views of categorisation presented in this paper along with my own are for the purpose of providing background for current taxonomic projects related to electroacoustic music (e.g. EARS: ElectroAcoustic Resource Site). The views might be summarised as top-down (ontology) as described in Peterson, bottom-up (folksonomy) as described in Shirkey and Weinberger, and a view from the middle ground (TagOntology) as described in Gruber. Semantic Wikipedia enters this discourse in relation to what one might call folk-ontology. It is crucial to conduct experimentation with minimal specifications and practical methodologies in order to facilitate the interoperability of dynamic, emergent knowledge bases within the Semantic Web context.

Type
Research Article
Copyright
Copyright © Cambridge University Press 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)