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Wigman's Witches: Reformism, Orientalism, Nazism

Published online by Cambridge University Press:  18 August 2016

Alexandra Kolb
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Abstract

This article investigates the three versions of Mary Wigman's Hexentanz (Witch Dance) in the context of the different political regimes in which they were performed. The changing cultural milieus shaped—through Wigman's imagination if not necessarily consciously—the works' forms and iconographies. The witch figure relates to preindustrial, pre-Christian Germanic identity and sparked considerable interest among völkisch and indeed Nazi groups. Wigman's dances present a kaleidoscope of different treatments of the witch motif, encompassing (variously) the life reform movement, an intercultural fusion with oriental performance traditions, and a strand of paganism that also influenced National Socialism. They converge, however, around a unifying critique of modernity.

Keywords

anti-modernismlife reformMary WigmanNazismneo-paganismorientalismromanticismvölkischWitch
Type
Articles
Information
Dance Research Journal , Volume 48 , Issue 2 , August 2016 , pp. 26 - 43
Copyright
Copyright © Congress on Research in Dance 2016 

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