Hostname: page-component-7c8c6479df-5xszh Total loading time: 0 Render date: 2024-03-28T22:46:30.112Z Has data issue: false hasContentIssue false

Aboriginal Music in Contemporary Canada: Echoes and Exchanges. Edited by Anna Hoefnagels and Beverley Diamond. Montréal: McGill-Queen's University Press, 2012.

Published online by Cambridge University Press:  18 May 2016

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Copyright
Copyright © The Society for American Music 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Diamond, Beverley and Szego, Kati, eds., “Indigenous Modernities Special Issue.” MUSICultures 39, no. 33 (2012)Google Scholar.

2 See Keeling, Richard, North American Indian Music: A Guide to Published Sources and Selected Recordings (New York: Garland, 1997)Google Scholar.

3 Keillor, Elaine, Archambault, Timothy, and Kelly, John Medicine Horse, eds., Encyclopedia of Native American Music of North America (Westport, CT: Greenwood Press, 2013)Google Scholar.

4 Fenton, William N., The Great Law and the Longhouse: A Political History of the Iroquois Confederacy (Norman: University of Oklahoma Press, 1998)Google Scholar.

5 Abu-Lughod, Lila, “Writing Against Culture,” in Recapturing Anthropology: Working in the Present, ed. Fox, Richard G. (Santa Fe, NM: School of American Research Press, 1991)Google Scholar, 137–62.

6 More information on the past century of recordings can be found in Wright-McLeod, Brian, The Encyclopedia of Native Music (Tucson: University of Arizona Press, 2005)Google Scholar, but this resource is not comprehensive.

8 Denys, Nicolas, Description geographique et historique des costes de l'Ameriqve Septentrionale: Avec l'Histoire naturelle du païs (Paris: Chez L. Billaine, 1672)CrossRefGoogle Scholar.