Hostname: page-component-8448b6f56d-cfpbc Total loading time: 0 Render date: 2024-04-19T01:11:50.067Z Has data issue: false hasContentIssue false
  • English
  • Français

Life on the Outskirts: Making Sense and use of a Creative Life

Published online by Cambridge University Press:  04 January 2016

Robert Knifton
Robert Knifton*
Affiliation:
Kingston University, Knights Park Campus, Kingston upon Thames KT1 2QJ, United Kingdom
*
r.knifton@kingston.ac.uk
Get access

Abstract

Life on the Outskirts is a digital archiving project being undertaken in collaboration between the Helen Storey Foundation and Kingston University. Helen Storey studied Foundation and Fashion at Kingston Polytechnic before her varied career as a fashion designer in Italy and London and as a social artist collaborating with scientists on projects including Primitive Streak, Catalytic Clothing and Wonderland. Robert Knifton uses his work with the Helen Storey Foundation to discuss key issues around digital archiving such as ‘born digital’ artefacts, digital barriers to materiality and ritualized material encounters in the archive, multivocality of digital archival artefacts, and the educational uses of the digital archive, and the great potential of the performative digital archive space.

Type
Research Article
Information
Art Libraries Journal , Volume 40 , Issue 3 , 2015 , pp. 5 - 10
Copyright
Copyright © The Art Libraries Society 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes and references

1. UNESCO, ‘Charter on the Preservation of Digital Heritage’, Records of the General Conference, Vol 1. (Paris: UNESCO, 2004), 75.Google Scholar
2. Breakell, Sue, ‘Perspectives: Negotiating the Archive’, Tate Papers 9, April 2008, http://www.tate.org.uk/research/publications/tate-papers/perspectives-negotiating-archive.Google Scholar
3. Foster, Hal, ‘An Archival Impulse’, Mereweather, Charles ed., The Archive. (London: MIT Press, 2006).Google Scholar
4. Storey, Helen, Fighting Fashion. (London: Faber & Faber, 1996), 32.Google Scholar
5. Yee, Susan, ‘The Archive’, Turkle, Sherry (ed.) Evocative Objects: Things we Think With. (London: MIT Press, 2007), 34.Google Scholar
6. Foster, Hal, ‘An Archival Impulse’, Mereweather, Charles (ed.) The Archive. (London: MIT Press, 2006), 145.Google Scholar
7. McKemmish, Sue ‘Evidence of Me...in a Digital World’, Lee, Christopher A. (ed.) I, Digital: Personal Collections in the Digital Era. (Chicago: Society of American Archivists, 2011), 127.Google Scholar
8. O’Doherty, Brian, Studio and cube: on the relationship between where art is made and where art is displayed. (New York: Princeton Architectural, 2007), 18.Google Scholar
9. Breakell, Sue ‘For One and All: Participation and Exchange in the Archive’, Bailey, Chris & Gardiner, Hazel (eds.) Revisualizing Visual Culture. (Farnham: Ashgate, 2010), 97.Google Scholar