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Experience as Artifact: Transformations of the Immaterial

Published online by Cambridge University Press:  13 January 2015

Franz Anton Cramer
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Abstract

The article analyzes an artistic project that is situated on the dividing line between the realm of performance and of exhibition. The Musée de la Danse in Rennes, France, contests the dichotomies of object and experience and introduces a notion of exhibition-as-performance. In so doing, the “Dancing Museum” suggests new perspectives on, and comprehensions of, the materiality involved in both museal and performance-based modes of presentation.

Type
Dialogues
Information
Dance Research Journal , Volume 46 , Issue 3: Dance in the Museum , December 2014 , pp. 24 - 31
Copyright
Copyright © Congress on Research in Dance 2014 

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References

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