Hostname: page-component-7c8c6479df-hgkh8 Total loading time: 0 Render date: 2024-03-28T10:08:41.529Z Has data issue: false hasContentIssue false

Artistic Truth

Published online by Cambridge University Press:  11 March 2013

Andy Hamilton*
Affiliation:
University of Durhama.j.hamilton@durham.ac.uk

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Papers
Copyright
Copyright © The Royal Institute of Philosophy and the contributors 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adorno, Theodor W. (1997), Aesthetic Theory, London: Athlone Press.Google Scholar
Adorno, Theodor W. (1992), Quasi una fantasia: essays on modern music, London: Verso.Google Scholar
Althusser, L. (2006), Lenin and Philosophy, London: Aakar.Google Scholar
Applebaum, Anne (2004), Gulag: a History of the Soviet Camps, Harmondsworth, Middlesex: Penguin.Google Scholar
Baines, Jocelyn (1971), Joseph Conrad; A critical biography, Harmondsworth, Middlesex: Penguin.Google Scholar
Barnwell, P. (2011), ‘Pre-Reformation Parish Churches’, in Guillery, P. ed. (2011), 3348.Google Scholar
Barrell, John (1980), The Dark Side of the Landscape: the Rural Poor in English Paintings 1730–1840, Cambridge: Cambridge University Press.Google Scholar
Beardsley, Monroe (1981), Aesthetics: Problems in the Philosophy of Criticism, 2nd ed. Indianapolis: Hackett.CrossRefGoogle Scholar
Belting, Hans (1994), Likeness and Presence: a history of the image before the era of art, Chicago: University of Chicago Press.Google Scholar
Booth, Wayne (1983), The Rhetoric of Fiction, Chicago: University of Chicago Press.CrossRefGoogle Scholar
Cohen, G.A. (accessed 2012), ‘Deeper Into Bullshit’, http://philbs.posterous.com/cohen-deeper-into-bullshitGoogle Scholar
Coleridge, Samuel Taylor (1985), Biographia Literaria, ed. Engell, J. and Jackson Bate, W., New Jersey: Princeton University Press.Google Scholar
Danto, Arthur (1981), Transfiguration of the Commonplace, Cambridge, MA: Harvard University Press.Google Scholar
Derrida, Jacques (1987), The Truth in Painting, Chicago: University of Chicago Press.CrossRefGoogle Scholar
Dorment, R. (2012), ‘Beautiful, Aesthetic, Erotic’, New York Review of Books, 59:3, 1416.Google Scholar
Edgerton, Ds (2011), Britain's War Machine, London: Allen Lane.Google Scholar
Engel, P. (2005), ‘Truth and the Aim of Belief’, In Gillies, D., ed. Laws and Models in science, London: King's College, found at http://www.unige.ch/lettres/philo/enseignants/pe/Engel%202005%20Truth%20and%20the%20aim%20of%20belief.pdfGoogle Scholar
Figes, Orlando (2007), The Whisperers: Private Life in Stalin's Russia, London: Allen Lane.Google Scholar
Frankfurt, Harry (2005), On Bullshit, Princeton: Princeton University Press.CrossRefGoogle Scholar
Gadamer, Hans-George (1975), Truth and Method, Seabury: Seabury.Google Scholar
Geertz, Clifford (1983), Local Knowledge: Further Essays in Interpretive Anthropology, London: Fontana.Google Scholar
Geuss, R. (1981), The Idea of a Critical Theory, Cambridge: Cambridge University Press.Google Scholar
Goss, Glenda (2009), Sibelius: A Composer's Life and the Awakening of Finland, Chicago: University of Chicago Press.CrossRefGoogle Scholar
Graham, Gordon (1986), Politics In Its Place, Oxford: Clarendon.Google Scholar
Graham, Gordon (2007), Philosophies of Arts, 3rd edition, London: Routledge.Google Scholar
Greene, T. (1940), The Arts and the Art of Criticism, New Jersey: Princeton University Press.Google Scholar
Guillery, P. ed. (2011), Built From Below: British Architecture and the Vernacular, London: Routledge.Google Scholar
Hamilton, Andy (2000), ‘The Authority of Avowals and the Concept of Belief’, European Journal of Philosophy, 8:1, 2039.CrossRefGoogle Scholar
Hamilton, Andy (2007) Aesthetics and Music, London: Continuum.CrossRefGoogle Scholar
Hamilton, Andy (2008), ‘Adorno and the Autonomy of Art’, in Giacchetti, S. ed. Nostalgia for a Redeemed Future: Critical Theory, Rome: John Cabot/Delaware University Presses, 251–66.Google Scholar
Hamilton, Andy (2009), ‘Scruton's Philosophy Of Culture: Elitism, Populism And Classic Art’, British Journal of Aesthetics, 49:4, 389404.CrossRefGoogle Scholar
Hegel, F. (1975), Lectures on Fine Art, Oxford: Oxford University Press.Google Scholar
Hill, Rosemary (2007), God's Architect: Pugin and the Building of Romantic Britain, Harmondsworth, Middlesex: Penguin.Google Scholar
Hospers, John (1970), Meaning and Truth in the Arts, Chapel Hill: University of North Carolina Press.Google Scholar
Horwich, Paul (1990), Truth, Oxford: Blackwell.Google Scholar
John, Eileen (2007), ‘Poetry and Cognition’, in A Sense of the World: Fiction, Narrative and Knowledge eds. Gibson, John, Huemer, Wolfgang and Pocci, Luca, London: Routledge, 2007.Google Scholar
Johnson, Samuel (1781), The Lives of the English Poets, London.Google Scholar
Kristeller, Oscar (1990), ‘The Modern System of the Arts’, in his Renaissance Thought and the Arts, Princeton: Princeton University Press, 163227.Google Scholar
Lamarque, Peter and Haugom Olsen, Stein (1994), Truth, Fiction and Literature, Oxford: Clarendon.Google Scholar
Lamarque, Peter (2009), The Philosophy of Literature, Oxford: Blackwell.Google Scholar
Lukács, Georg (1975), History and Class Consciousness, London: Merlin.Google Scholar
Mamet, David (1993), Oleanna, London: Methuen Drama in association with the Royal Court Theatre.Google Scholar
Mateer, David ed. (2000), Courts, Patrons and Poets, New Haven; London: Yale University Press in association with the Open University.Google Scholar
Meyer, Leonard (1974), ‘Concerning the Sciences, the Arts – And the Humanities’, Critical Inquiry, 1:1, 163217.CrossRefGoogle Scholar
Mortensen, Preben (1997), Art in the Social Order, Albany: State University of New York Press.Google Scholar
Murdoch, Iris (1990), The Sovereignty of Good, London: Routledge.Google Scholar
Nietzsche, Friedrich (1973), The Will to Power, New York: Random House.Google Scholar
Paddison, Max (1993), Adorno's Aesthetics of Music, Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Passmore, John (1991), Serious Art, La Salle, Illinois: Open Court.Google Scholar
Plato (1996), Plato on Poetry, ed. Penelope Murray, Cambridge: Cambridge University Press.Google Scholar
Price, K. (1949), ‘Is There Artistic Truth?The Journal of Philosophy, 46:10, 285291.CrossRefGoogle Scholar
Rapaport, Hermann (1997), Is There Truth in Art?, New York: Cornell University Press.Google Scholar
Ricoeur, Paul (1970), Freud and Philosophy: Essay on Interpretation, Yale: Yale University Press.Google Scholar
Richter, Gerhard (2009), Writings, Interviews and Letters 1961–2007, London: Thames and Hudson.Google Scholar
Ruskin, John, (1980), The Genius of John Ruskin: selections from his writings, ed. Rosenberg, J., London: Routledge.Google Scholar
Rowe, Mark (2009), ‘Literature, Knowledge and the Aesthetic Attitude’, Ratio 22:4, 375–97.CrossRefGoogle Scholar
Schiller, Jerome (1964), ‘An Alternative to Aesthetic Disinterestedness’, Journal of Aesthetics and Art Criticism, 22:3, 295302.Google Scholar
Scruton, Roger (1997), The Aesthetics of Music, Oxford: Clarendon.Google Scholar
Scruton, Roger (1998), An Intelligent Person's Guide to Modern Culture, London: Duckworth.Google Scholar
Smith, Adam (1985), Glasgow Edition of the Works and Correspondence of Adam Smith, Indianapolis: Liberty Fund, Vol. IV.Google Scholar
Stevenson, Anne (1990), Bitter Fame: A Life of Sylvia Plath, Harmondsworth, Middlesex: Penguin.Google Scholar
Stolnitz, Jerome (1992), ‘On the Cognitive Triviality of Art’, British Journal of Aesthetics, 32:3, 191200.CrossRefGoogle Scholar
Wellmer, A. (1991), The Persistence of Modernity: Essays on Aesthetics, Ethics and Postmodernism, trans. Midgley, D., Cambridge: Polity Press.Google Scholar
Wittgenstein, Ludwig (1998), Culture and Value, Oxford: Blackwell.Google Scholar
Young, James O. (2001), Art and Knowledge, London: Routledge.Google Scholar
Zuidervaart, Lambert (2004), Artistic Truth: Aesthetics, Discourse and Imaginative Disclosure, Cambridge: Cambridge University Press.CrossRefGoogle Scholar