Hostname: page-component-8448b6f56d-c4f8m Total loading time: 0 Render date: 2024-04-19T06:43:28.377Z Has data issue: false hasContentIssue false
  • English
  • Français

SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture. By Nathan Hesselink. Chicago: University of Chicago Press, 2012. xiv, 201 pp, 1 audio CD. $75.00 (cloth); $27.50 (paper).

Published online by Cambridge University Press:  18 March 2013

Keith Howard
Keith Howard*
Affiliation:
SOAS, University of London
*
kh@soas.ac.uk
Get access

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews—Korea
Information
The Journal of Asian Studies , Volume 72 , Issue 1 , February 2013 , pp. 213 - 215
Copyright
Copyright © The Association for Asian Studies, Inc. 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

14 Howard, Keith, Creating Korean Music: Tradition, Innovation and the Discourse of Identity (Aldershot, England: Ashgate, 2006), pp.1–70Google Scholar.

15 In an earlier publication he had already translated an extended discussion by Shim. See Hesselink, Nathan, P'ungmul: South Korean Drumming and Dance (Chicago: University of Chicago Press, 2006)Google Scholar.

16 Small, Christopher, Musicking: The Meanings of Performing and Listening (Hanover, N.H.: Wesleyan University Press, 1998), pp. 194–96Google Scholar.

17 See Hesselink, Nathan, “The formation of Namsadang (Korean itinerant performer) Troupes: Chapter One of A Study of Namsadang Troupes by Shim Usŏng',” Acta Koreana 9/2 (2006): pp. 31–57Google Scholar.