Hostname: page-component-7c8c6479df-94d59 Total loading time: 0 Render date: 2024-03-29T15:31:57.724Z Has data issue: false hasContentIssue false

INTRODUCTION: PERFORMING SPACE IN URBAN AFRICA

Published online by Cambridge University Press:  05 February 2014

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Research Article
Copyright
Copyright © International African Institute 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Appadurai, A. (1996) Modernity at Large: cultural dimensions of globalization. Minneapolis MN and London: University of Minnesota Press.Google Scholar
Askew, K. M. (2002) Performing the Nation: Swahili music and cultural politics in Tanzania. Chicago IL: University of Chicago Press.Google Scholar
Baller, S. (2007) ‘Transforming urban landscapes: soccer fields as sites of urban sociability in the agglomeration of Dakar’, African Identities 5 (2): 217–30.CrossRefGoogle Scholar
Barber, K. (1997) ‘Preliminary notes on audiences in Africa’, Africa 67 (3): 347–62.Google Scholar
Barber, K. (2000) The Generation of Plays: Yorùbá popular life in theater. Bloomington IN: Indiana University Press.Google Scholar
Benga, N. A. (2002) ‘Dakar et ses tempos: significations et enjeux de la musique urbaine (1960–1990)’ in Diop, M.-C. (ed.), Le Sénégal contemporain. Paris: Karthala.Google Scholar
Castryck, G. (2013) ‘Ex-Centring the Global: Liminality and Interconnectedness in Urban Kigoma’, in Middell, M. (ed.), Self-Reflexive Area Studies. Leipzig: Leipziger Universitätsverlag.Google Scholar
Cole, C. M. (2001) Ghana's Concert Party Theatre. Bloomington IN: Indiana University Press.Google Scholar
Cooper, F. (1994) ‘Conflict and connection: rethinking colonial African history’, American Historical Review 99 (5): 1516–45.Google Scholar
Coplan, D. B. (2008 [1985]) In Township Tonight! South Africa's black city music and theatre. Chicago IL: University of Chicago Press.Google Scholar
De Boeck, F. and Plissart, M.-F. (2004) Kinshasa: tales of the invisible city. Tervuren and Ludion: Royal Museum of Central Africa and Vlaams Architectuureninstituut Vai.Google Scholar
Desplat, P. A. and Schulz, D. E. (2012) Prayer in the City: the making of Muslim sacred places and urban life. Bielefeld: transcript.Google Scholar
Diouf, M. and Fredericks, R. (eds) (2013) Les arts de la citoyenneté au Sénégal: espaces contestés et civilités urbaines. Paris: Karthala.Google Scholar
Drewal, M. T. (1991) ‘The state of research on performance in Africa’, African Studies Review 34 (3): 164.Google Scholar
Drewal, M. T. (1992) Yoruba Ritual: performers, play, agency. Bloomington IN: Indiana University Press.Google Scholar
Ebron, P. A. (2002) Performing Africa. Princeton NJ: Princeton University Press.Google Scholar
Edmondson, L. (2009) ‘Performing Africa’, African Affairs 109 (434): 151–60.Google Scholar
Erlmann, V. (1996) Nightsong: performance, power, and practice in South Africa. Chicago IL and London: University of Chicago Press.Google Scholar
Erlmann, V. (1999) Music, Modernity, and the Global Imagination: South Africa and the West. New York NY: Oxford University Press.Google Scholar
Ferguson, J. (2006) Global Shadows: Africa in the neoliberal world order. Durham NC: Duke University Press.Google Scholar
Fourchard, L. (2011) ‘Between world history and state formation: new perspectives on Africa's cities’, Journal of African History 52 (2): 223–48.Google Scholar
Guinard, P. (forthcoming) ‘Africa Week Festival in Yeoville (Johannesburg, South Africa): reclaiming a physical, social and political space’ in Benit-Gbaffou, C. (ed.), Lessons from Yeoville, Johannesburg: understanding communities to design better cities? Pretoria: UNISA Press.Google Scholar
Guyer, J. I. (2011) ‘Describing urban “no man's land” in AfricaAfrica, 81 (3): 474–92.Google Scholar
Lachenmann, G. and Dannecker, P. (eds) (2008) Negotiating Development in Muslim Societies: gendered spaces and translocal connections. New York NY: Lexington.Google Scholar
Larkin, B. (2002) ‘Bandiri music, globalization and urban experience in Nigeria’, Cahiers d’Études Africaines 168 (42): 739–62.Google Scholar
Lefebvre, H. (2009 [1967]) Le droit à la ville. Paris: Economica–Anthropos.Google Scholar
Lefebvre, H. (2000 [1974]) La production de l'espace. Paris: Éditions Anthropos (Ethnosociologie). Translated by D. Nicholson-Smith (1991) as The Production of Space. Oxford: Blackwell.Google Scholar
Makhulu, A.-M., Buggenhagen, B. A. and Jackson, S. (eds) (2010) Hard Work, Hard Times: global volatility and African subjectivities. Berkeley/Los Angeles CA and London: University of California Press.Google Scholar
Massey, D. B. (1991) ‘A global sense of place’, Marxism Today, 24–29 June.Google Scholar
Massey, D. B. (1994) Space, Place and Gender. Cambridge: Polity Press.Google Scholar
Mitchell, J. C. (1956) The Kalela Dance: aspects of social relationships among urban Africans in Northern Rhodesia. Manchester: Rhodes-Livingstone Institute.Google Scholar
Moorman, M. (2008) Intonations: a social history of music and nation in Luanda, Angola, from 1945 to recent times. Athens OH: Ohio University Press.Google Scholar
Nageeb, S. A. (2004) New Spaces and Old Frontiers: women, social space, and Islamization in Sudan. Oxford: Lexington Books.Google Scholar
Neveu Kringelbach, H. (2013) Dance Circles: movement, morality and self-fashioning in urban Senegal. New York NY and Oxford: Berghahn Books.Google Scholar
Nuttall, S. and Mbembe, A. (eds) (2008) Johannesburg: the elusive metropolis. Johannesburg and Durham NC: Witwatersrand University Press and Duke University Press.Google Scholar
Prakash, G. (2008) ‘Introduction’ in Prakash, G. and Kruse, K. M. (eds), The Spaces of the Modern City: imaginaries, politics, and everyday life. Princeton NJ: Princeton University Press.Google Scholar
Ranger, T. O. (1975) Dance and Society in Eastern Africa 1890–1970: the Beni Ngoma. London: Heinemann.CrossRefGoogle Scholar
Robinson, J. (2010) ‘Living in dystopia: past, present, and future in contemporary African cities’ in Prakash, G. (ed.), Noir Urbanisms: dystopic images of the modern city. Princeton NJ: Princeton University Press.Google Scholar
Schieffelin, E. L. (1985) ‘Performance and the cultural construction of reality’, American Ethnologist 12 (4): 707–24.Google Scholar
Schieffelin, E. L. (1998) ‘Problematizing performance’, in Hughes-Freeland, F. (ed.), Ritual, Performance, Media. London and New York NY: Routldege.Google Scholar
Shipley, J. W. (2004) ‘“The best tradition goes on”: audience consumption and the transformation of popular theatre in neoliberal Ghana’ in Weiss, B. (ed.), Producing African Futures: ritual and reproduction in a neoliberal age. Leiden, and Boston MA: Brill.Google Scholar
Sieveking, N. (2013) ‘Culture as a resource for development? Critical perspectives from the field of contemporary African dance’ in Middell, M. (ed.), Self-Reflexive Area Studies. Leipzig: Leipziger Universitätsverlag.Google Scholar
Simone, A. (2001) ‘On the worlding of African cities’, African Studies Review 44 (2): 1541.Google Scholar
Simone, A. (2004) For the City Yet to Come: changing African life in four cities. Durham NC: Duke University Press.Google Scholar
Simone, A. (2011) ‘The urbanity of movement: dynamic frontiers in contemporary AfricaJournal of Planning Education and Research 31 (4): 379–91.Google Scholar
Stokes, M. (2004) ‘Music and the global order’, Annual Review of Anthropology 33 (1): 4772.Google Scholar
Stokes, M. (2007) ‘On musical cosmopolitanism’ in The Macalester International Roundtable 2007, paper 3 <http://digitalcommons.macalester.edu/intlrdtable/3>, accessed 3 June 2013.,+accessed+3+June+2013.>Google Scholar
Strobel, M. (1976) ‘From “lelemama” to lobbying: women's associations in Mombasa, Kenya’ in Hafkin, N. J. and Bay, E. G. (eds), Women in Africa: studies in social and economic change. Stanford CA: Stanford University Press.Google Scholar
wa Thiong'o, N. (1997) ‘Enactments of power: the politics of performance space’, TDR: The Drama Review 41 (3): 1130.CrossRefGoogle Scholar
Weiss, B. (ed.) (2004) Producing African Futures: ritual and reproduction in a neoliberal age. Leiden: Brill.Google Scholar
White, B. (2008) Rumba Rules: the politics of dance music in Mobutu's Zaire. Durham NC: Duke University Press.Google Scholar
White, B. (2011) ‘Thinking about cities’, City and Society 23 (1): 1317.Google Scholar